¿Qué estáis escuchando ahora?

Pike escribió:

elbrujo69 escribió:

cablehogue escribió:

k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:

cablehogue escribió:

k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:

cablehogue escribió:

k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

Little Bastard escribió:

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:

cablehogue escribió:

k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

elbrujo69 escribió:

Little Bastard escribió:

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:

cablehogue escribió:

k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

si no lo encuentras ya lo vuelvo a subir yo   

Pike escribió:

salchi escribió:

Muy bien Salchi!

Luego no te pongas el Turn Blue, no vaya a darte un jamacuco.

Buenos días por cierto.

Little Bastard escribió:

elbrujo69 escribió:

Little Bastard escribió:

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:

cablehogue escribió:

k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

si no lo encuentras ya lo vuelvo a subir yo   

Ya estás tardando... 

salchi escribió:

Pike escribió:

salchi escribió:

Muy bien Salchi!

Luego no te pongas el Turn Blue, no vaya a darte un jamacuco.

Buenos días por cierto.

No tengo cojones para eso, no te preocupes Pike     

elbrujo69 escribió:

Little Bastard escribió:

elbrujo69 escribió:

Little Bastard escribió:

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:
k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

si no lo encuentras ya lo vuelvo a subir yo   

Ya estás tardando... 

pues no lo tengo aki. Asi que os tendreis k aguantar   

elbrujo69 escribió:

Little Bastard escribió:

elbrujo69 escribió:

Little Bastard escribió:

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:
k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

si no lo encuentras ya lo vuelvo a subir yo   

Ya estás tardando... 

pues no lo tengo aki. Asi que os tendreis k aguantar   

elbrujo69 escribió:

Little Bastard escribió:

elbrujo69 escribió:

Little Bastard escribió:

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:
k cancionero, k barbaridad, virgen santa!

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

si no lo encuentras ya lo vuelvo a subir yo   

Ya estás tardando... 

pues no lo tengo aki. Asi que os tendreis k aguantar   

cablehogue escribió:

elbrujo69 escribió:

Little Bastard escribió:

elbrujo69 escribió:

Little Bastard escribió:

Pike escribió:

elbrujo69 escribió:

Pike escribió:

Eso qué es?

Un disco de The Band sacado del topic del paint?   

Everybody who knew Doug Sahm liked him, and everyone who didn't know him, but knew his work, respected him. He was manic, he was a larger-than-life character, and his passion for music was exceeded only - if at all - by his passion for baseball. It's the former with which we concern ourselves here, as we follow the Sir Douglas Quintet in various configurations through what critics generally regard as Sahm's fertile early period (he would later go on to form the Texas Tornados, among other things). The Sir Douglas Quintet was supposed to capitalize on the British Invasion, but it would take an advanced case of astigmatism to think the band had roots in the UK. And with a couple of cosmetic exceptions, their music was firmly linked to America (in the broadest sense). For Doug and his band, virtually any genre was up for grabs - rock, blues, soul, country, psychedelic, norteño, polka, whatever. They played it all, and they played it proficiently. One of life's great mysteries is how Doug Sahm isn't in the Rock & Roll Hall Of Fame, since his music has inspired two generations of musicians, and he can rightly lay claim to being the Godfather of the Austin music scene. Anthologized heavily throughout the years, Sir Doug's music from the Mercury/Smash era has never before been collected systematically and presented so handsomely. This box set covers six albums, all the mono singles, Spanish-language recordings and a number of Doug's productions on which his band appears. The box was conceived and executed by Grammy-winning producer Bill Levenson, and it was remastered in 2004 from the original master tapes. It includes liner notes by critic Scott Schinder and rare photos of Doug and the band. No single package could contain all the vibrancy and vision Doug Sahm possessed, but this particular set is celebratory for those who lived through the ear and revelatory for those who didn't.

Gracias, Brujo!

Tiene muy buena pinta! Lo buscaré en la pápel a ver si hay algo por ahí!

si no lo encuentras ya lo vuelvo a subir yo   

Ya estás tardando... 

pues no lo tengo aki. Asi que os tendreis k aguantar   

pillarse la cajita, joder, que está tirada de precio...

http://www.amazon.es/Douglas-Quintet-Complete-Mercury-Recordings/dp/B000AO2J46

Little Bastard escribió:

pinkpanther escribió:El primero de Big Star, estoy vago para poner fotos.

A veces pienso que si Thirteen la hubieran hecho los Beatles estaría sonando día si y día también en todas las radios.

Perimaggot escribió:

Little Bastard escribió:

me descojono cada vez que veo este gif del tío Charlton... joder, es clavadito a mi hermano!!!!!      

deniztek escribió:

pinkpanther escribió:El primero de Big Star, estoy vago para poner fotos.

A veces pienso que si Thirteen la hubieran hecho los Beatles estaría sonando día si y día también en todas las radios.

la típica prepotencia del moderador   

 

pinkpanther escribió:El primero de Big Star, estoy vago para poner fotos.

A veces pienso que si Thirteen la hubieran hecho los Beatles estaría sonando día si y día también en todas las radios.

elbrujo69 escribió:

deniztek escribió:

pinkpanther escribió:El primero de Big Star, estoy vago para poner fotos.

A veces pienso que si Thirteen la hubieran hecho los Beatles estaría sonando día si y día también en todas las radios.

la típica prepotencia del moderador   

 

deniztek escribió:

pinkpanther escribió:El primero de Big Star, estoy vago para poner fotos.

A veces pienso que si Thirteen la hubieran hecho los Beatles estaría sonando día si y día también en todas las radios.

la típica prepotencia del moderador   

 

Little Bastard escribió:

De la discografía clásica es siempre el que más me cuesta poner... 

deniztek escribió:

Perimaggot escribió:

Little Bastard escribió:

me descojono cada vez que veo este gif del tío Charlton... joder, es clavadito a mi hermano!!!!!      

    

link?   

Little Bastard escribió:

pinkpanther escribió:El primero de Big Star, estoy vago para poner fotos.

A veces pienso que si Thirteen la hubieran hecho los Beatles estaría sonando día si y día también en todas las radios.

No lo creo. Los discos de Big Star están rodeados de un halo de fatalidad, pero en concreto, Thirteen está impregnada de tanta fragilidad que duele... 

Perimaggot escribió:

deniztek escribió:

Perimaggot escribió:

Little Bastard escribió:

me descojono cada vez que veo este gif del tío Charlton... joder, es clavadito a mi hermano!!!!!      

    

link?   

  

celtasnake escribió:

deniztek escribió:

Little Bastard escribió:

De la discografía clásica es siempre el que más me cuesta poner... 

a ignorados.

Little Bastard escribió:

deniztek escribió:

Little Bastard escribió:

De la discografía clásica es siempre el que más me cuesta poner... 

a ignorados.

deniztek escribió:

elbrujo69 escribió:

deniztek escribió:

pinkpanther escribió:El primero de Big Star, estoy vago para poner fotos.

A veces pienso que si Thirteen la hubieran hecho los Beatles estaría sonando día si y día también en todas las radios.

la típica prepotencia del moderador   

 

    

deniztek escribió:

Perimaggot escribió:

deniztek escribió:

Perimaggot escribió:

Little Bastard escribió:

me descojono cada vez que veo este gif del tío Charlton... joder, es clavadito a mi hermano!!!!!      

    

link?   

  

  

joder, son clavaos!

deniztek escribió:

Little Bastard escribió:

deniztek escribió:

Little Bastard escribió:

De la discografía clásica es siempre el que más me cuesta poner... 

a ignorados.

  

Ladylog escribió:Buenos y sofocantes días.

elbrujo69 escribió:

Vamos a ver...

Pike escribió:

elbrujo69 escribió:

Vamos a ver...

Yo estoy ya escuchándolo hace rato.

No hay por donde pillarlo.

Vamos, que NO SON LOS BLACK KEYS.

En El Camino aún los reconozco en algunos temas. Aquí todavía no.

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:

Vamos a ver...

Yo estoy ya escuchándolo hace rato.

No hay por donde pillarlo.

Vamos, que NO SON LOS BLACK KEYS.

En El Camino aún los reconozco en algunos temas. Aquí todavía no.

si, el giro k han dado es grande, aunke hay alguna cosilla por ahi aprovechada del brothers...Pero vamos, k no es el thickfreakness   

Pike escribió:

elbrujo69 escribió:

Pike escribió:

elbrujo69 escribió:

Vamos a ver...

Yo estoy ya escuchándolo hace rato.

No hay por donde pillarlo.

Vamos, que NO SON LOS BLACK KEYS.

En El Camino aún los reconozco en algunos temas. Aquí todavía no.

si, el giro k han dado es grande, aunke hay alguna cosilla por ahi aprovechada del brothers...Pero vamos, k no es el thickfreakness   

Yo solo pedía RECONOCERLOS.

Reconocer las melodías de la voz de Auerbach al menos. No sé...

Yo en este disco es que directamente no los reconozco, al menos a primera escucha.

Y como disco no está mal. Si lo sacaran otros y me cayera entre manos, seguramente lo escucharía tranquilamente. Pero no es el caso. Eran de mis bandas favoritas y esto es un esperpento. Es como si Motörhead sacase un disco "bailable".    

Little Bastard escribió:

Ladylog escribió:Buenos y sofocantes días.

En mis años mozos solía pinchar ese y On a storyteller's night. Recientemente volví a escuchar algún tema del que tú has puesto y...bffff! 

Ladylog escribió:

Little Bastard escribió:

Ladylog escribió:Buenos y sofocantes días.

En mis años mozos solía pinchar ese y On a storyteller's night. Recientemente volví a escuchar algún tema del que tú has puesto y...bffff! 

Pues yo ni un pero le pongo, vaya temones que hay aquí (incluso en sentido literal)

Ladylog escribió:

Little Bastard escribió:

Ladylog escribió:Buenos y sofocantes días.

En mis años mozos solía pinchar ese y On a storyteller's night. Recientemente volví a escuchar algún tema del que tú has puesto y...bffff! 

Pues yo ni un pero le pongo, vaya temones que hay aquí (incluso en sentido literal)